FULBRIGHT in SPAIN 1985-1986 plus summers of 1983-1984, 1987
Joyce, Megan and I were the main crew with the help of many students and faculty who built my Rammed Earth Studio in 1977 in Huntley,MT.
The Wild Horse Range was about an hour away from my home. I loved to visit the horses and look at the spectacular views from the top of Dryhead Overlook in the Pryor Mountains.
My new studio in Red Lodge, Montana. Above is my slab roller and below is my wheel set up March 2017. Inside the kiln shed are 3 electric kilns, and stored small raku kiln, saggar, and freshly unloaded pots. I am building an additional indoor kiln space for year-round firing capabilities.
During my time as a Senior Fulbright Scholar in Spain in 1985-86 I worked in Agost, Spain at the Museo de Alfareria, now Centro Agost.: Araceli decorating a Wedding Botijo with a slip applicator that uses both hands and could date back to Roman Barbotine decorating, this is the day Pepe Mollar threw 1100 morteros as seen in the background. Extreme right shows the middle chamber of a 3-story kiln being loaded with botijos.I also visited 48 pottery centers across the country documenting traditions and their origins from Celtic Kilns, to Barbertine decorating.
I grew up in Philadelphia and started art classes at age 11 in Center City at the Philadelphia Museum College of Art.
Two Symposiums and a FULBRIGHT in UZBEKISTAN
Below: scenes from my three visits to Uzbekistan from 1991-1994 L-R Samarkand market in the shadow of Bebi Haneem Mosque, City snap of Khiva with an unfinished world's largest Minaret, and me with my Ceramics students at the Tashkent Institute of Art 1994 as a Senior Fulbright Scholar.This photo was taken on the day we fired raku in a kiln I made for my classes.
"One day driving home from Billings to Huntley,Montana I passed a field of Black Angus in fresh Spring grass and immediately thought RAKU!"
I built a wood-fired Raku kiln up under the Rimrocks where we spent entire days firing raku at Eastern Montana College in Billings in my early days of teaching. Fastest batch we ever fired was 3 minutes by the end of the day..
Selsor explaining Mt. St. Helen's Ash in the glaze.Billings Gazette May 13, 1981
Above are the bodies of botijos before handled and spouts are added. On the right are the clay mixing basins. Chimo delivered clay from the community pit in a mule cart. Spanish Potters: Maximo smashing clay for mixing in Bonxe in Galicia, Aniano in Alba de Tormes, and Alejandra Pastor Garcia working on a turntable wheel making a casserole with micaceous clay in Pereuela, Zamora in Castile.
Gardening in Huntley,Montana on May 18, 1980 I watched the ash from Mt. St. Helen's eruption approach from the West. I later used the ash for glaze.
Below are progressive images in the development of a Cantaro made on a wheel similar to the first potters wheels found in eastern Europe and as far east as Armenia dating back to 2700 BCE. This area was settled by the Celts. The man firing the Celtic kiln is red headed. Bag pipes can also be found in this region of NW Castile near Galicia in Spain.
Teaching ceramics at SIU-Carbondale in 1972. In 2016, celebrated 50 years of working in ceramics.
DIAGONAL 11 I have been visiting Barcelona since 1983. I took groups there en route to month-long workshops at Agost Centro from 1995-1999. I have seen the major change in the Spanish society from Franco to the present. Above photos are from Barcelona, one of my favorite cities in the world. Morning light in the nearly complete Sagrada Familia. The Muses on stage at the Palau de la Musica de Catalunya by Montaner. The rooftop at Palau Guell near Las Ramblas. Afternoon light at Sagrada Familia. The Diagonal 11 Group in Barcelona for our Symposium at Etorn where we created a mural for SiO2 Ceramics Co. and our group at a dinner at our apartment.
Our collaborative event as a group in June 2018 included installation from the roof of the amphitheater from our Woodfiring at La Meridiana in Tuscany, followed by an exhibition at MiMo Gallery and a lecture at the Carlo Zauli Museum in Faenza .
Of the 21 Agost potteries operating in 1985, only 4 remain active. I published an article on the three story kilns of Agost in Ceramics Monthly in 1989 and another in Revista Ceramica 1991 "Los Hornos Arabesque", P. 77 Issue 41 Revista Ceramica, Spain. One pottery fired 11,000 botijos in a month in one firing.
I am a full-time ceramic artist, workshop presenter, writer, teacher and alchemist investigating making marks on ceramic surfaces. Earned a BFA f rom the Philadelphia University of the Arts and an MFA from Southern Illinois University -Carbondale.
Beginning in 1966 to the Philadelphia College of Art now the Philadelphia University of the Arts studied ceramics with Bill Daley, Petras Vaskys, Paula Winokur, Julia Jackson and Roland Jahn and never looked back. In 1967 I began firing Raku that year when Paul Soldner was giving a workshop at Wallingford Art Center for local colleges...during the winter in the snow. I have been firing raku ever since, plus stoneware, soda, wood, and alternative types of firing processes. I gained a great education on building kilns while in college. Graduated with a BFA in 1970. I moved to the Mid-west to continue studies in Ceramics at Southern Illinois University-Carbondale with Nick Vergette and Bill Boysen graduating with an MFA in Ceramics in 1974. Worked on the first 1% for Art national commission awarded to Nicholas Vergette for the reflecting pool and fountain at the Federal Building in Memphis. My job was refining edges of the large plaster forms before they were sent to the foundry. In graduate school we built several kilns at students' homes including mine. I have built kilns for soda, stoneware, and raku. I had a year off when I spent 9 months as a resident potter at the Grail in Cornwall-on-Hudson building a kiln, burners and rehabbing a cabin for a pottery studio while serving as a caretaker on a fifty acre Religious estate.
In 1975, I was hired to teach at Eastern Montana College, now Montana State University-Billings where I taught for 25 years. During the 35 years I have lived in Montana, I learned to appreciate the grandeur of the mountains, the raw vivaciousness of wild horses, trout fishing, good friends, Yellowstone Park, self-reliance, hot potting (swimming in hot springs) in sub-zero weather, and all the rigors of living in the Last Best Place. One day driving home from Billings to Huntley, I passed a field of Black Angus in fresh Spring grass and immediately thought RAKU!I began making plaques with cows, sheep, asses, horses. Once when I had a group of students up in the Pryor Mountains to look for clay, we went to the top of Dryhead Overlook a herd of running wild horses with their Spring foals emerged for the mist and surrounded us before disappearing down a coulee. Another magic Montana moment inspired me to draw running horses on Raku. A great natural event, the eruption of Mount St. Helen's provided ash for making glazes. During my tenure while teaching I was awarded 2 Senior Fulbright Scholars' Awards during my two sabbaticals. The first was in 1985-86 where I traveled to 48 pottery centers and documented the ethnographic traditions from several origins: Celtic, Iberian, Roman, and Islamic found across Spain. I also published a book of drawings on the pottery of Agost, my home base for the year. In 1994, I went to teach at the Tashkent Institute of the Arts and study historical ceramics in Uzbekistan. Colleagues took me to ancient cities along the Silk Road including Khiva, Samarkund, and Bukhara and a remote place where I gave a talk in a high school and was the first American the students had ever seen. I retired in 2000. I have taught in University of Hawaii-Manoa, University of Texas at Brownsville, and had residencies in Iceland, Latvia, Uzbekistan, The Archie Bray in Helena, MT., The Clay Studio in Philadelphia, A.I.R. Vallauris , CRETA in Rome and La Meridiana in Tuscany, Hui No'eau Arts Center on Maui, and Mary Anderson Center for Creative Arts in Indiana with funding from the Henry Faurest Memorial Fellowship. In the 1990s I served on the Board of the Mental Health Center Foundation, helping with the annual May Clay Day Fund Raiser and volunteered teaching at the Hub, a drop-in center for Adult Mentally challenged in Billings, Montana. Also served on the Technical staff for Ceramics Monthly, President of Potters Council, and as Director-at-Large for the National Council for The education of Ceramic Art (NCECA) Board.
We moved to the South Border of Texas in Brownsville in 2006 so my husband, Matt, could have his dream job at a Research University at the Center for Gravitational Wave Astronomy.. I was elected to the Board of Directors for the Potters Council in 2006, served as President in 2008 and Past-President for two more years as well as being re-elected to the board in 2014. I worked for 8 months as the Interim Executive Director at the Brownsville Art Museum and taught an Academic year at University of Texas at Brownsville as a guest lecturer in Ceramics and Art History. While Montana provided much growth for me as an artist, I found the exotic birds of the Gulf Coast, the Coastal Sky, and the Gulf as well as the Border working their way into my art.
We moved back to Montana at the end of 2016. I am so happy to have returned to my muse, Montana, to create in my home studio in Red Lodge, exhibit, give workshops, write, travel, and explore making marks with fire.